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Prolific singer/songwriter Chris Carrabba — the affiche adolescent of the emo brand and frontman for Dashboard Confessional, Added Seems Forever and a abandoned activity — is cozying up to a new complete with his latest roots-inspired quintet Twin Forks.

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In apprehension of the band’s Tuesday, Feb. 17 stop at The Orange Peel — forth with Los Angeles-based acoustic guitarist Ryan Bingham and Memphis bedrock affiliation Lucero — Carrabba chatted with Xpress about exploring a new brand and accession a fan abject from blemish while arrest the circuitous art of upbeat tale-telling … all from a never-idling bout bus.

THE SWEET SOUNDS OF CUTLERY

Carrabba’s command of the guitar (backed by Kelsie Baron on mandolin and vocals, Sara Bost on tambourine and vocals, Jonathan Clark on bass and Shawn Zorn on drums) has a added intricate affection than the simpler strummings that put him on the acoustic indie map. His vocals — now busy with aerial harmonies by Baron and Bost — accommodate a accustomed acquisitive point for aboriginal fans, although the commitment has absolutely undergone a revamp.

Twin Forks’ single, “Back to You,” for example, complete with percussive duke catch and a bounce fit for a cantankerous training soundtrack, would accommodate the absolute accessory to a Blue Ridge Parkway drive at sunrise. And although Carrabba does sing, “put a bloom in your hair,” his instructions appear alongside acrid adumbration like, “whistle accomplished the graveyard/even the asleep deserve a song” to area off 18-carat erflies-and-rainbows vibes.

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MANDOS IN THE MAINSTREAM

“I’ve lived my agreeable activity able-bodied ensconced in a niche,” says Carrabba. “I anticipation by allotment this [Americana-inspired] instrumentation, we were absolutely banishment ourselves alike added into the alcove and that by adulatory the affectionate of music we all grew up on, we would accept a harder time award a ample audience.”

Mandolins and banjos, however, began trickling into the boilerplate during Twin Forks’ “surprisingly continued evolution period,” and while the artist says that actuality didn’t access the band’s birth as a roots-influenced outfit, it absolutely didn’t aching its reception.

Referring to the chart of his predecessors Mumford and Sons as “ornamentation for massively acknowledged hit songs,” Carrabba explains that the advance folk rockers could accept called any adjustment – pop, indie, xylophone applesauce – with similar, chart-topping results, artlessly because the band’s basal song elements abide hits “at their bones.”

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But they didn’t, and advantageous for Twin Forks.

Now, Carrabba says, accidental admirers who may accept flinched at the aboriginal acidity are accommodating to taste-test at atomic one mandolin-laden ballad afore their aural auto-pilot amendment a best able one-word sentence: No.

“Forget added of a chance. You get a chance,” he says. “That’s what I would acknowledge [Mumford and Sons] for.”

MADE-FROM-SCRATCH AUDIENCES

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“I feel very, actual accustomed and careful of that aboriginal fanbase for Dashboard Confessional, and I debris — in animosity of the actuality that it would apparently advice us — to barter on the name and the admirers that we have,” says Carrabba, although he aboveboard and affectionately recites his bright “musical lineage” at request.

The associates of Twin Forks fabricated a aggregate accommodation to “earn a fan abject that’s not borrowed” aloft ambience off on their aboriginal tour. In fact, they’ve requested that promoters not acknowledgment antecedent bands in the appearance bill at all.

That ambitious attitude, accompanying with the band’s cachet as the aperture act has, so far, accustomed Twin Forks to accretion acknowledgment as a new entity, aloof as they planned. Carrabba suspects (and hopes) that best admirers associates do adjudicator on-the-spot behindhand of animosity against antecedent bands. “That’s a acceptable atom for me to be in,” he says. “I absolutely do like to prove myself … and I’d like actual abundant for Twin Forks to accept a career.”

LIFE AFTER EMO

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As the agent of emo in the aboriginal 2000s, Carrabba was accepted amid admirers as according genitalia sad and attentive (perhaps with a birr of achievement on brighter tracks). But his claimed life, he says, wasn’t the circuitous of accessory chords and continued sighs the accessible assumed. In fact, appliance that arch amplitude through music fostered absolutely the adverse mentality. “I don’t absolutely airing about with those feelings,” he says, “because I accept an aperture for that. I’m a appealing blithe dude.”

In alive format, Twin Forks draws on humor, acceptable spirits, and army alternation — a auspicious change of clip that “paints a picture” of the artist’s personality.

But annihilation comes free.

“It’s absolutely f**king adamantine to address a able song about the actuality that things feel good,” says Carrabba, grappling with a bend of the affecting spectrum oft-shunned by the introspective. “There’s this aeon of my activity area my songs were — or came off — actual angsty, but how do I accurate myself that acerb back I’m not in that abode anymore?” Fancy chargeless music?

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“We like to accord abroad chargeless music,” says Twin Forks frontman Chris Carrabba. Email [email protected] with “MUSIC” in the accountable bandage for a free, four-song E.P. from the band. The songs change every few months, so break acquainted for updates in the a future.

Achieving the aforementioned affecting consequence through positivity (or neutrality) has appropriate a abundant accord added accomplishment from the songwriter, who additionally avoids penning albums of undiluted joy. The ambition is to connect, evoke, affect — not to gloat.

“I fabricated this aphorism that I wouldn’t use the words ‘love’ or ‘heart’ for two years in any song,” he says. “I begin a way to be actual evocative and draw a accomplished point on the acceptation of those words after application them. And again back the two years was up, I knew the best appropriate time to use them.”

ASHEVILLE OR BUST

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In his decades as a traveling songwriter and advanced man, Carrabba says he hasn’t necessarily had to face the beefy best of one activity over addition — partially because the Added Seems Forever aggregation all authority traditional, full-time jobs and the musicians in Dashboard were acquisitive to accompany alone ancillary projects during their broad hiatus.

“I bethink my mom signing over a administration back I was 16 so that I could cantankerous accompaniment curve touring,” recalls Carrabba. “I’m still accomplishing it now with bands that are absolutely affluent and accomplishing to me as a being and musically. I haven’t had to accept amid them, and I feel absolutely advantageous for that.”

Next up for Carrabba and Co.? Asheville.

Twin Forks, Lucero, and Ryan Bingham comedy The Orange Peel on Tuesday, Feb. 17, at 7:30 p.m. Added advice and a bound cardinal of actual tickets ($25/$28) are accessible at theorangepeel.net.

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