Once aloft a time, all the way aback in 1967, aback it came to the halftime appearance at the Super Bowl, big-name performers were not involved. Instead of performers who currently topped the archive and were beginning off of wins at the Grammys, the ancient halftime shows consisted of boot bands. And they weren’t able boot bands, either (although I’m not alike abiding those are a thing.) The boot bands were from bounded universities and colleges, as able-bodied as aerial schools, and were accompanied by assignment teams, banderole girls and boom majors.
It was a far cry from the dancing sharks and the atrocious leaps from the top of the amphitheater halftime shows accept featured in contempo years.
Yet aback those aboriginal Super Bowls, the game’s halftime appearance has gone through a few changes and weaved in and out of altered eras. They didn’t become the massive comedy they are today over night. It was absolutely aloof the opposite. Over the advance of fifty years, the halftime appearance has gone from boot bands to boot bands arena to a activity to the bit-by-bit admittance of pop stars to a appearance absolutely comprised of pop stars to a appearance that bare to be reigned in for the assurance of the innocent amid us to massive productions that battling a Broadway assembly in admeasurement and scope.
The halftime appearance at the Super Bowl is a adventure of eras. Here is what you charge to apperceive about the halftime show’s history and the assorted shapes and sizes it has gone through.
The aboriginal two Super Bowls, Super Bowl I in 1967 and Super Bowl II in 1968, sit by their alone in the aboriginal era of Super Bowl halftime shows, the Boot Bandage Era. Boot bands would be a accoutrement during the halftime appearance for at atomic the aing two decades, but what fabricated these aboriginal two shows altered was that they didn’t accommodate a theme. They aloof featured boot bands. That’s it.
Super Bowl I, which was played in Los Angeles Memorial Coliseum in Los Angeles, California, featured the boot bands from the University of Arizona and Grambling State University assuming with trumpeter Al Hirt. The music was accompanied by the Anaheim Aerial Academy Assignment Team and Banderole Girls, 300 pigeons and 10,000 balloons.
One year afterwards at Super Bowl II in Miami, Grambling State University alternate to perform, this time accepting the gig all to themselves. Not alike the pigeons were there.
Starting at Super Bowl III, which was afresh played in Miami, capacity were congenital into the halftime show. Why? It’s simple. Anybody loves a acceptable theme. The activity of the halftime appearance of Super Bowl III was “America Thanks” and featured the boot bandage from Florida A&M University, as able-bodied as assorted aerial academy bands from the Miami area.
The afterward year at Super Bowl IV, the halftime appearance was the aboriginal one to absolutely highlight and affection performers that weren’t a boot band. Although don’t worry, a boot bandage still performed. With the d in New Orleans, the activity was “Tribute to Mardi Gras,” with the Southern University Boot Bandage arena alongside Al Hirt, Marguerite Piazza, Doc Severinsen and Lionel Hampton. Two years afterwards at Super Bowl VI, which was additionally in New Orleans, the activity was “Salute to Louis Armstrong.” The appearance featured Hirt already again, as able-bodied as Ella Fitgerald, Carol Channing, the USAFA Cadet Chorale and the U.S. Marine Corps Assignment Team. It was the aboriginal halftime appearance to not affection a boot bandage from a university.
Throughout the seventies, capacity ranged from “Happiness Is” at Super Bowl VII in Los Angeles to “Tribute to Duke Ellington” at Super Bowl IX, which was afresh in New Orleans. In 1976 the activity was “200 Years and Aloof a Baby: A Tribute to America’s Bicentennial.” The aerialist was Up With People, a accumulation of agog youngsters attractive to affect anybody through the ability of song. Up With Bodies fabricated their halftime appearance admission in 1971 at Super Bowl V, assuming alongside the boot bandage from Southern Missouri State University. Up With Bodies would accomplish at the halftime appearance a scattering of times throughout the 1980’s.
Disney got into the halftime appearance d in 1977 at Super Bowl XI, which was played at the Rose Bowl in Pasadena, California. With a activity of “It’s a Small World,” the show, produced by Disney and based on the ride at their activity parks, featured the Mickey Mouse Club, as able-bodied as the LAUSD All-City Band. It was additionally the aboriginal halftime appearance to affection army participation, with the army bouncing altered black placards throughout the performance.
The use of capacity at the halftime appearance connected into the 1980’s with the aboriginal d of the decade, Super Bowl XIV in Pasadena, accepting a activity of “A Salute to the Big Bandage Era.” Up With Bodies was aback for this one, as was the Grambling State University Boot Band. Up With Bodies would go on to accomplish two years afterwards at Super Bowl XVI, which was played in the Pontiac Silverdome in Michigan and the activity was “Salute to the 1960’s and Motown.” Up With Bodies would additionally accomplish at Super Bowl XX in New Orleans. That game’s halftime appearance activity was “Beat of the Future.”
Disney would aftermath two halftime shows in the 1980’s, the aboriginal one actuality in 1984 at Super Bowl XVIII in Tampa, Florida. The activity was “Salute to Superstars of Silver Screen” and featured the boot bands from the University of Florida and Florida State University. In 1987 Disney produced the halftime appearance at Super Bowl XXI, afresh at the Rose Bowl in Pasadena, with a activity of “Salute to Hollywood’s 100th Anniversary – The World of Make Believe.” The appearance included performances from halftime appearance veterans the Grambling State Boot Band, as able-bodied as the boot bandage from the University of Southern California and assignment teams and dancers from breadth aerial schools. Disney characters, George Burns and Mickey Rooney were additionally allotment of the festivities.
The decade’s aftermost two halftime shows both started to adumbration at the bigger productions that were to appear in the aing decade. Super Bowl XXII in San Diego included a activity of “Something Grand” and with it, 88 admirable pianos, Chubby Checker, The Rockettes and the accumulated armament of boot bands from both San Diego State University and the University of Southern California. A year afterwards in Miami at Super Bowl XXIII, bedrock and cycle from the 1950’s was celebrated, as able-bodied as the abracadabra of 3-D. The appearance featured an Elvis Presley amateur aing by dancers from all over Florida, but added importantly, a battery of 3-D images.
In the 1990’s, the Super Bowl halftime appearance began to change and alpha to become the comedy that we apperceive today. Boot bands were replaced by pop stars, although Super Bowl XXIV in 1990 and Super Bowl XXVI in 1992 still featured university boot bands.
The absolute about-face happened in amid those years admitting at Super Bowl XXV. The appearance was afresh produced by Disney and afresh featured Disney characters and admirers participation. But added importantly, it included the New Kids on the Block, who were at the acme of the acceptance at the time. The boy band’s achievement was bookend by accouchement singing “It’s A Small World Afterwards All.”
Themes in the 1990’s included “Rockin’ Country Sunday” at Super Bowl XXVII in Atlanta, Georgia featuring a scattering of country stars, “Take Me Higher: A Celebration of 30 Years of the Super Bowl” at Super Bowl XXX in Arizona accent by Diana Ross and “Salute to Motown’s 40th Anniversary” at Super Bowl XXXII in San Diego that featured Motown legends Smokey Robinson and the Temptations, as able-bodied as Boyz II Men, Queen Latifah and authoritative their boastful return, the Grambling State University Boot Band.
The aftermost Super Bowl halftime appearance of the decade, Super Bowl XXXIII in Miami, had a activity of “Celebration of Soul, Salsa and Swing.” The performers were from the worlds of you estimated it: soul, salsa and swing. Stevie Wonder, Gloria Estefan and beat bandage Big Bad Voodoo Daddy all performed.
The abandoned theme-less halftime appearance of the nineties happened at Super Bowl XXVII. Although to be fair, you could aloof say the activity was “Michael Jackson” and that would assignment as this halftime appearance was the now acclaimed and allegorical Michael Jackson halftime performance. Half time shows wouldn’t be the aforementioned afterwards.
Themes did abide into the aboriginal 2000’s, although they were mostly an reconsideration as the shows now started to affection top-line aptitude and some of the better acts in music. There was “Tapestry of Nations” at Super Bowl XXXIV in 2000 starring Phil Collins, Christian Aguilera, Toni Braxton and an 80 being choir and the aing year, “The Kings of Bedrock and Pop” featuring Aerosmith (i.e. the “Kings of Rock”) and the Kings (and Queens) of Pop: ‘NSYNC, Brittany Spears, Mary J. Blige and Nelly.
The activity of halftime at Super Bowl XXXVI in New Orleans was “Tribute to Those Killed in the September 11th Attacks.” U2 performed solo, the aboriginal time the halftime appearance was a single-bill activity aback the Michael Jackson halftime appearance about a decade earlier.
Two years later, at Super Bowl XXXVIII, the halftime appearance was the aftermost one to accommodate a theme. “Choose of Lose” featured Jessica Simpson, P. Diddy, Nelly, Kid Rock. But the appearance would go on to be best remembered as the halftime appearance area Justin Timberlake and Janet Jackson performed.
At the appendage end of Super Bowl XXXVIII’s halftime show, that activity happened with Timberlake and Jackson and as a result, the aing decade additional of Super Bowl halftime shows would be a aerial aback and alternating amid performers that were assurance aces and performers that were questionable, but not all that risky. It was a decade additional of advance corrections and reactions to the year before. The end aftereffect was a run of halftime shows featuring allegorical bedrock bands, massive pop stars and sometimes, some aggregate of the two.
Either way, the era of capacity was finished. The shows’ producers had abundant to anticipate about and plan for.
The aboriginal artisan to accomplish in the Post-Nipplegate Era was Paul McCartney, addition who was all but a agreement not to appearance their boob during the performance. McCartney was a safe pick, admitting an dull one. But what did anybody expect? It’s Newton’s Third Law, kids. “For every action, there is an according and adverse reaction.” You appearance a boob on civic television, you get Paul McCartney. And afresh you get the Rolling Stones, who performed a year afterwards at Super Bowl XL.
Whoever makes the accommodation of who plays halftime of the Super Bowl was acutely activity hardly reassured about things the aing year and assured abundant to booty at atomic a little bit of a accident because Prince was broke to comedy the halftime of Super Bowl XLI. Everything seemed on the up and up until he acted like his guitar was his penis and aloof like that, Super Bowl XLII featured Tom Petty and the Heartbreakers, Super Bowl XLIII starred Bruce Springsteen and the E Street Bandage and Super Bowl XLIV included The Who.
Again, Newton’s Third Law people.
By the time 2011 formed about the decision-makers already afresh acquainted at atomic agilely reassured that musicians were able to behave themselves aback bare to and the Black Eyed Peas were alleged to perform, aing by Usher and Slash of Guns ‘n Roses. They did accomplished and the aing year at Super Bowl XLVI Madonna was the headliner. Madonna behaved herself, but M.I.A., who was brought forth to perform, flashed the average feel at some point. Thankfully, reactions were kept abundantly in analysis (in accessible at least) and Beyonce was brought in to accomplish at Super Bowl XLVII.
In the accomplished few years halftime performers accept abundantly behaved themselves. The better has been the adumbration that halftime at the Super Bowl is no best a area for bedrock bands, as apparent by Coldplay’s achievement at Super Bowl 50. The bandage did fine, but were massively overshadowed by Beyonce and Bruno Mars, who were added continued afterwards the British bandage were appear as the headlining act. Given the consequence of the performance, the ambit of it and the aerial assembly of the appearance now, a band, bodies up there aloof beating out songs on instruments aloof isn’t visually activating enough.
Although we’ll see what the aing era holds for the halftime show. As history has apparent us, the aing era is apprenticed to be altered than the accepted one.
Who knows, maybe the Grambling State University Boot Bands makes a comeback.
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