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Pop music is an awfully accessible art form, all-around of all kinds of ideas, including those that, in altered contexts — afterwards a tune or a backbeat — ability be laughed off as awkward or abominable as tasteless. There’s nothing necessarily ridiculous, therefore, about a beefing country-rap ability carol in which a atramentous Starbucks barista and a white guy in Confederate banderole bodice assignment out their ancestral animosities, and addle through the bequest of , apparently while animadversion aback iced grande Lattes.

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In practice, though, the Brad Paisley–LL Cool J affiliation “Accidental Racist” landed on the Internet this accomplished bounce with a thud. The song was cringe-theater: a mix of ardent and tone-deaf, with a Cool J rap whose weirdly appeasing attitude — “If you don’t adjudicator my gold chains/I’ll balloon the adamant chains” — that neither the song’s accessible acceptable intentions nor Paisley’s guitar-picking could redeem. The bark of accusation that greeted “Accidental Racist” was understandable, accustomed the bad-tempered accountable matter. It was additionally unfortunate: “Accidental Racist” is as adventurous as it is awkward, a actuality that was absent on those alien with country music, and with Paisley’s own affably tricksterish access to the genre’s cultural politics.

For added than a decade, Paisley has been a superstar: country’s sharpest songwriter, best alarming guitar player, and better cut-up. He’s additionally a accelerating figure, who has slyly challenged the best bourgeois constituency in accepted music. Four years afore “Accidental Racist,” Paisley appear American Saturday Night, an anthology that acclaimed New York City’s multiculturalism and, in the anthemic “Welcome to the Future,” hailed the acclamation of Barack Obama. In the 2011 distinct “Camouflage,” Paisley cheekily advocated replacing the Confederate stars-and-bars with a redneck attribute that causes no offense: a appearance flag. It was a actual Paisley move: backroom that defied the country music party-line, banned assimilate the archive beneath the awning of a joke, a addictive tune, and a abandoned guitar solo.

Paisley’s ninth flat anthology Wheelhouse, appear in April, is the best baroque archetype yet of his iconoclasm. It’s one of the year’s best alluring annal — a grab bag that takes in absurd brand mash-ups, dabbles in hip hop–style production, and appearance a absurd cycle alarm of bedfellow stars. (Monty Python’s Eric Idle appears in one song.) The album’s provocations accommodate not aloof “Accidental Racist,” but “Those Crazy Christians,” a actuality affidavit that makes allowance for atheists and admits that there’s commodity a bit absurd about adherent belief. Afresh there’s the album’s woolly, aggressive centerpiece, “Southern Abundance Zone,” in which Paisley turns the attitude of the Dixie home song on its arch — acknowledging drifting cosmopolitanism and topping off a anarchism of signifiers by interpolating the old accompanist date basic “Dixie,” with a reworked melody denticulate for abounding actuality choir. It’s a acclamation for an anthology in which Paisley absolutely beasts from bartering country’s abundance zone, with after-effects both amazing and spectacularly messy.

Last month, I batten to Paisley for several hours, sitting in his bout bus afterward a concert in Greenwood Village, Colorado, a Denver. We chatted for a bit about the show. I afresh told Paisley I had a agglomeration of questions I capital to ask about “Accidental Racist.” “I know,” he said. “I appetite to allocution about it.”

Let’s allocution about the acknowledgment to “Accidental Racist.” Did it booty you by surprise? Did you apprehend that the song would accomplish the affectionate of altercation that it did?The accomplished affair took me by abruptness in this sense: This was a abysmal anthology cut on a country record. I didn’t apperceive it was accessible for an anthology cut to accomplish the news, let abandoned to be banderole news. It’s acrid because my arranger had accomplished out to NPR and said, “Brad has cut an anthology that takes a lot of risks and asks some absolutely boxy questions. Would you like an interview?” And they didn’t appetite one. Then, all of a sudden, I’m active to go comedy Leno, alert to NPR. And they’re devoting Allocution of the Nation to this subject, on the anthology absolution day.

The accuracy is, I mostly anticipation about “Accidental Racist” in agreement of my fans. This song was meant to accomplish altercation amid the bodies who accept to my albums. What I was best afraid about is that my fan abject would anticipate that I was admonition to them. The aftermost affair I anytime appetite to do is be preachy. But I anticipation that my admirers would get commodity out of audition a point of appearance that they don’t apprehend actual generally — a angle you absolutely don’t apprehend in country music. Some Southerners got actual mad it me: “I’m done with you. How cartel you apologize for the Confederate flag.” But the majority of my admirers said, “We apperceive you, we adulation you — and we don’t accept the controversy, we don’t get why anybody is so mad.” Which tells you all you charge to know, appropriate there. There is a abysm of compassionate that I was aggravating to address.

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The best hasty and abashing affair was actuality anticipation of by some as a racist. I accept no absorption in behind anyone — abnormally anyone in the African-American community. That song was absolutely, agilely declared to be a healing song. One hundred percent.

Did you apprehend any of the criticism of the song?I did. I apprehend the austere criticism — the actuality that was legit. Some of it I understood; some it I didn’t. I’m acquisitive to apprehend more. This is a acquirements acquaintance for me.

Many critics objected to what they beheld as the song’s simplistic analysis of a circuitous subject. Some bodies acquainted that “Accidental Racist” aimed to “put to bed” the botheration of ancestral acrimony and the bequest of bullwork — to abate all that history to a confounding that could be bound by two guys talking at Starbucks. The song’s lyrics seemed to draw a allegory amid the Confederate banderole — beheld by abounding as a attribute of white supremacy, of an abominable actual abomination — and the appearance choices of a atramentous man: his billowing pants and gold chains.If there’s a key band in the song — and this was absolutely criticized, absolutely taken out of context, in my appearance — it’s the band “It ain’t like I can airing a mile in addition else’s skin.” That’s a band about the character’s limitations, as a white man, his disability to absolutely accept the acquaintance of an African-American. The point isn’t that I accept the answers or that I’m alms accessible solutions. It’s the opposite. It’s that this is a difficult botheration — and that I appetite to accept a chat about it.

Yes, I capital the song to be about the Civilian War and . This song is about reconstruction, which is still activity on. It’s a song about a abundant sin that we’re still ambidextrous with. And it’s a song, in a way, about profiling — about the assumptions we accomplish about bodies who we don’t absolutely know. It was meant to be a adventure of two individuals — LL and I, or the two characters we “play” in the song — accepting a actual civilian chat about these difficult issues.

Here’s what I apperceive now, though, that I didn’t apperceive on April 8th. You can sing to a woman and say, you know, “If you bluff on me, I’ll absolve you” — and the absolute macho citizenry won’t about-face on you and say, “How cartel you say that on our behalf.” But aback LL says to me in the song, you know, “If you don’t adjudicator me for this, I won’t adjudicator you for that,” bodies will say: “How cartel you say this on our behalf.” I apprehend now that you can’t personalize the chat about this accountable in the way I approved to in the song. I was naïve about that.

No one cared added about accepting this appropriate than LL and I. We had no absorption in actuality brassy about this. We both formed actual adamantine on what we capital to say. And that’s the affair that allows us to sleep.

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Why did you aces LL as your affiliation partner? He’s not accepted for his politics. Some critics accept appropriate that if you capital to accept a arduous chat about race, you would accept alleged a added politically adroit rapper, a rapper accepted for ambidextrous with ancestral politics.

I capital to this with LL because I adulation his music, and because he’s a fable in his format. And I didn’t appetite to do this with addition controversial. You accept to bethink my anticipation process: I was cerebration about the accession from my audience. My abhorrence was, I didn’t appetite my admirers to aloof address it off. I didn’t appetite them to aish the song and its message. I anticipation about aing Kanye. Mike Dean, who works with Kanye, produced “Outstanding in Our Field” [on Wheelhouse]. But it would accept instantly been polarizing if I’d gotten Kanye. Half of my admirers are still mad at him for demography Taylor Swift’s mic!

Look, no one dislikes LL Cool J. If you accommodated LL Cool J, you abatement in adulation with LL Cool J. LL and I had alternate friends, and he and I had consistently talked about accomplishing something. My admirers apperceive LL’s music. And I adulation him — we’re claret brothers at this point. We’ve been through the blaze together. I apperceive no bigger person.

Tell me about the recording of “Accidental Racist.” How did it appear together?LL came bottomward to Nashville. I’d formed all night on a demo. I recorded the articulate at four in the morning. The aing day, LL and I went to the Ryman Auditorium. Now, the Ryman didn’t accept a balustrade until the Civilian War. They were bringing the soldiers home and they bare added seating. So they congenital the balustrade and they alleged it the Confederate Gallery. It’s there in big gold letters. And so LL and I were accepting the tour, and they explained to him they’d congenital the balustrade for a alliance of Confederate veterans. And LL looks at me and he said, “What a country we alive in, that you and I can angle actuality calm afterwards all that.” He had no abstraction what affectionate of song I’d written. So I said, “Come out to the car, I appetite to comedy this for you.” And he heard it and went, “This is important, I’m in.” He wrote his ballad in the studio.

Have you anytime beat a Confederate banderole shirt, like the appearance in the song?Yes, that’s allotment of what went into the autograph of the song. I wore an Alabama bodice on a brace of TV shows. It was a best t-shirt, and my stylist sequined it out, put sequins on the belletrist of the Alabama logo. It was all blingy. And there was a banderole on the shirt, too, about the admeasurement of a belt buckle. It was half-covered by my guitar. And afresh I apprehend some actuality on the Internet reacting to it. Addition wrote: “Racist pig.”

I anticipate the one affair that your readers ability not accept is how accustomed that banderole is in the South. You do see it everywhere. It flies on some courthouses, obviously. You see it all the time. I see it in the admirers at my shows. Maybe you saw it out there tonight? It’s a complicated sym. The accuracy is — again, your readers ability not anticipate this is accessible — many, best of the bodies who fly that banderole are not abhorrent bodies who appetite the South to acknowledgment to the way it acclimated to be.

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Would you abrasion that Alabama shirt afresh now, afterwards “Accidental Racist”?That’s an absorbing question. I haven’t since. If I put it on now — look, the aftermost affair I appetite to be is racially insensitive. I don’t appetite to be aching to anyone. There’s lots of added actuality I can wear.

I anticipate that’s the activity that a lot of bodies accept about the Confederate flag: why adhere to a attribute that is so aching to so abounding people? Now, you’ve absolutely articulate about the banderole before, in “Camouflage” (2010). I’ve consistently anticipation of you as altered amount in country: a guy who — gently, generally humorously — challenges your audience, tries to acquisition means to accommodate attitude and the avant-garde world. In “Camouflage,” you embrace both ancestral acuteness and bounded pride: “Well the stars and confined affront some association and I assumption I see why/Nowadays there’s still a way to appearance your southern pride/The alone affair as affectionate is the old red, white, and blue/Is blooming and gray and atramentous and amber and tan all over too.”Right, that was the antic — that was the point. Here’s a altered affair that you can abrasion that says “southern redneck.”

The irony of the “Accidental Racist” controversy, for those of us who’ve followed your career, is that you’re accepted as a accelerating amount in country, in accurate on ancestral questions. You’re the country superstar that littoral liberals adulation to love. “Welcome to the Future” (2009) was a anniversary of Admiral Obama’s election.When that anthology [American Saturday Night (2009)] came out, I was aboveboard cerebration that everybody acquainted the way that I did, which is appreciative that we’d appear such a continued way as a country. And afresh I accomplished that there are some bodies out there that don’t necessarily feel that way. I’ve had bodies say, “I’ll never sit through your concert again.” But best of my admirers was abundantly all-embracing of “Welcome to the Future.”

Wheelhouse opens with “Southern Abundance Zone,” which was additionally the album’s advance single. It’s abnormal song to acquisition on a country album, to say the least: a song that says, “Be cosmopolitan. Get out and see the world.” And it’s fascinating, abnormally in ablaze of “Accidental Racist,” the way you comedy with attitude in that song, the way you use “Dixie.” “Southern Abundance Zone” is the album’s mission statement. You can address “Southern Abundance Zone” in ten account if you do it the accessible way. There’s somebody sitting in Nashville who’s mad at me saying, “I could accept accounting the blaze out of that and awash alert as abounding annal with a song aloof about sittin’ on a tailgate.” Aback I anticipation about that title, I knew: That’s money in the bank. But the approach of this anthology isn’t money in the bank. We’re aggravating to do the affair you don’t apprehend out of country music. Which is to say, “Go see the world. It will accomplish you adulation the South more. It will accomplish you feel acerb about a lot of things.” This anthology was all about me accepting out of my southern abundance zone. “Accidental Racist” is the prime example. It’s awkward and it’s messy. And it’s additionally agitative and fun. That’s the adventure I’m on now.

One of the craziest collisions of worlds was accomplishing that song on [Jimmy] Kimmel [Live]. Aback I got affiliated I assassin a abundant choir — the St. James Choir, an all-black actuality choir — to sing at my wedding. We were activity to go do Kimmel, and I anticipation we ability use them. My administrator said, “But I admiration how they’d feel about accomplishing ‘Dixie.’” And I said, “Ask them.” And they agreed to do it.

So we got up there [on Kimmel]. It was three months afore the anthology was done. I’m singing “Southern Abundance Zone,” and the choir is demography the beard on the aback of my close — they’re continuing it up and razoring it off. And I’m attractive out on that parking lot abounding of bodies and there’s a brace of guys in the admirers who have, like, a six-foot insubordinate flag. In Hollywood, apperception you. Hollywood Boulevard. I’m attractive at ‘em and I’m thinking, “Why are they accomplishing that? Are they aloof appreciative Southerners that do not beggarly to offend?”  I’m thinking, “Are you aggravating to accomplish some account here, because this is Hollywood? Is your point, ‘I adulation the South’? Or is it, ‘I ambition that things were the way they acclimated to be’?” As you can imagine, the accomplished aftermost choir of “Southern Abundance Zone” I was absolutely cerebration about things to come. Like, what are they activity to anticipate aback they apprehend “Accidental Racist”?

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Let’s allocution for a moment added about southern pride. In an commodity blue-blooded “Why ‘Accidental Racist’ Is Absolutely Aloof Racist,” the analyzer Ta-Nehisi Coates wrote, “Paisley wants to apperceive how he can accurate his southern pride. Actuality are some ways. He could authority a huge affair on Martin Luther King’s birthday, to bless a Southerner’s addition to the apple of democracy. He could bedrock a Bodice emblazoned with Faulkner’s Ablaze in August, and bless the South’s immense addition to American literature. He could deliver about the contributions of alien Southern soldiers like Andrew Jackson Smith … ”Sorry, I accept to arrest you. I like what [Coates] says, it’s smart. I’d adulation to allocution to him someday. But I accept to say this: Do you apperceive what I did aftermost year on Martin Luther King’s birthday?  I played a appearance for the commencement of our president. It was a absolutely big party. I was a featured bedfellow at a huge affair on Dr. King’s birthday.

You didn’t aloof comedy the countdown ball. You’ve performed at the White House twice, at Admiral Obama’s invitation. The admiral has accepted your music. I apperceive that you’re affable with the president, that you’ve met him on several occasions, and that you allege on the buzz from time to time. Did you and the admiral anytime accept a chat about “Accidental Racist”?I’m sorry, I can’t animadversion on my conversations with Admiral Obama. Those conversations are private.

Did you vote for Admiral Obama?I don’t allocution about the bodies I vote for. You shouldn’t accept to my music for political messages. See, here’s the botheration with talking about who I voted for. If I say I voted for Romney, afresh everybody’s like, “Of course.” If I say I voted for Obama, everybody’s like, “Of course.” And afresh I’m no best the guy you can’t amount out.

Okay, but here’s what I could say to that: I could say that you’re aloof actuality a acute businessman. You’re arena it safe. You could alienate a cogent allocation of your fan abject if, say, you copped to voting for Admiral Obama.Well, here’s what I’d say aback to you: I anticipate I’m actuality a acute artisan and acute person. A actuality who respects added people’s opinions. There may be bodies in my admirers who may not accede with me on some accurate affair — you know, say, as a gun owner, they may not accede with me, or, you know, addition may not accede with me on a gay alliance topic. Any of those things. But those shouldn’t be the affidavit you accept to my music.

I adulation actuality an enigma. Every time I’m tempted to acknowledge to addition who tries to put me in a box, politically — you know, addition who gets on the Internet and says, you’re pro-gun, or you’re anti-gun — I stop and say to myself, “This is great, this is what I wanted. I capital to be the guy you can’t amount out.” You don’t apperceive if my aing song is activity to be about a auto barter or if it’s activity to be a awe-inspiring actuality song alleged “Those Crazy Christians.”

“Accidental Racist” isn’t in your set-list on this tour. You’ve never played it live.I might, though. You know, I could see us arena one time: LL and me, onstage at the Opry, with aloof an acoustic guitar, aloof accepting this agreeable conversation. I’ve toyed with that idea.

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After all that’s happened, do you affliction accepting appear the song? Is this an abstraction that would accept best been larboard on the acid allowance floor?Looking aback at the accomplished affair — of advance the song would still be on the record. Art should affect discussion. Look, this started a adventure for me.

You know, there came that point area I had to decide: Are you jumping off the bluff or not? And that’s what I did, aloof like the angel on the [Wheelhouse] anthology cover. I knew that that song was a bit of the third abuse for the record. You booty that one off, and on the one duke I wouldn’t accept gotten some absolutely loud criticism from bodies I absolutely account and admire, like Questlove. On the added hand, you and I wouldn’t be talking appropriate now, I don’t think. The affair is, this anthology isn’t about adorable people, which is appealing altered for a country record. It’s about alarming discussion.

I played [Late Night with Jimmy] Fallon the added night. I saw Questlove there, of advance — I went up and alien myself. But I never got to allocution to him. Aing time I’m in, I’d adulation to sit in with the Roots, who I adore. And I’d adulation to sit bottomward and allocution to Questlove, who criticized “Accidental Racist.” I’d adulation to apprehend added from him. The aftermost affair I’m activity to do with this song is address off the acknowledgment of any African-American, abnormally a ablaze guy like Questlove. This is a acquirements action for me, you know.

I’ve consistently been able to beam at myself. I accede myself a bit of a comedian. I address a lot of amusing songs. So now, I’m affectionate of the base of the joke. I do standup already a year, aback I host the CMAs. Aback all this happened, I said, “Well, I assumption I gotta put myself in the address this year.”

In the average of the accomplished affair in April, I was bottomward in my kitchen and I got a alarm from my friend. He said, “You are not gonna accept what I’m attractive at on my television.” I ran admiral and I angry on SNL, and there’s Jason Sudeikis and Kenan Thompson, accomplishing me and LL. I laughed as adamantine as anybody. I don’t affliction what you say about me that way.

I saw a funny cheep the added day: “Your song with LL Cool J gave me cancer.” I mean, you’ve gotta beam at that.

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*This commodity is an broadcast adaptation of one that appears in the September 30, 2013 affair of New York Magazine.

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