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King of the Animals. Wilhelm Kuhnert and the Angel of AfricaOctober 25, 2018–January 27, 2019

Schirn Kunsthalle Frankfurt Römerberg 60311 Frankfurt am MainGermany

www.schirn.de www.schirn-mag.com Facebook / Twitter / YouTube / Instagram / Pinterest / #KingOfTheAnimals / #Schirn

Wilhelm Kuhnert (1865–1926) shaped the abstraction of Africa in Europe and in the United States added than any added painter of his time. In the backward 19th and aboriginal 20th century, he was one of the aboriginal European artists to set out on a cardinal of journeys to the antecedents of German East Africa, which at that time was still abundantly unexplored. The assets and oil sketches of the flora and fauna in the arena that he fabricated during these trips served as references for awe-inspiring paintings that he after produced in his flat in Berlin. Kuhnert apparent his works internationally with abundant success, appropriately acceptable the arch analyst of African wildlife. The Schirn Kunsthalle Frankfurt is presenting the aboriginal above attendant on the action and assignment of the artisan with some 120 works. Besides studies and paintings from European and American museums, clandestine collections, and Kuhnert’s estate, the exhibition unites a ample cardinal of the artist’s printed and bartering clear works and publications. The presentation sheds ablaze on Kuhnert’s oeuvre, not alone adjoin the accomplishments of the history of art and accustomed science but additionally that of German colonial history.

Dr. Philipp Demandt, Administrator of the Schirn Kunsthalle Frankfurt and babysitter of the exhibition comments: “Wilhelm Kuhnert is one of the outstanding painters and illustrators of his time. His pictures are not alone a mirror and a average of art and accustomed history, but additionally of colonial history. Appropriately the Schirn Kunsthalle Frankfurt’s accommodation to address the actual aboriginal attendant to Wilhelm Kuhnert is not in animosity of but in actuality because of those ‘big bare spots’ that he approved out in absent countries—and which abide to abide in our aggregate memory. The adventure we aim to acquaint will advise us a abundant accord about the mechanisms of art and society, backroom and science, about canonizing and forgetting—and at the aforementioned time about ourselves.”

Kuhnert was an beastly and mural painter who had accomplished at the Royal Academy of Fine Arts in Berlin. He developed an aboriginal absorption in African agrarian animals, whose actualization and behavior he had ahead alone been able to abstraction up aing at the Berlin Zoo. Zoological area began basic in the mid-19th century. They reflected added ability and accurate progress, a concern about the world, and the imperialist aspirations of the common era. At the aforementioned time, the bazaar for beastly paintings and sculptures was accretion in the backward 19th aeon with the young, aggressive bearing of artists entering this acreage of activity. In accession to authoritarian aspects and the address of the new, however, these artworks additionally akin the spirit of the times: pictures of lions, tigers, and elephants in accurate were apparent as syms of strength, dominance, and ahead and conveyed the spirit of a affiliation that was aiming for its power-political “place in the sun.” The angle of animals became a lenticular angel of beastly beings: on the one hand, animals were models for the natural—and appropriately the divine, social, and political—order; and on the added they represented the ideal of unconscious, able freedom, the actual adverse of common existence. African agrarian animals provided an complete amplitude of affiliation for German Nature Romanticism and exoticism.

Wilhelm Kuhnert’s bulk heralds aspects of the avant-garde age: painting en plein air, the beginning pencil drawing, exoticism, the assurance to analyze abroad lands, and biking as a agency of accretion one’s angle and experience, generally affiliated with abstention and a analytical attitude against civilization. In his painting Kuhnert pursued an about accurate access and recorded the characteristics of the animals as accurately as possible. Although he was neither a biologist nor a zoologist, his abundant aesthetic and accounting studies point to an absorption in African wildlife that went able-bodied above absolutely painterly issues. His beastly pictures were broadcast in zoological books such as Brehms Tierleben (Brehm’s Action of the Animals) and in publications by the administrator of the Frankfurt Zoo, Wilhelm Haacke, as able-bodied as in the anatomy of classroom bank charts. They were alike reproduced on the wrappers of Stollwerck chocolate. Although Wilhelm Kuhnert charcoal one of the best broadly calm artists to this day, his bulk is still around alien to the accessible at large.

The exhibition King of the Animals. Wilhelm Kuhnert and the Angel of Africa is accurate by the Gemeinnütziger Kulturfonds Frankfurt RheinMain.

A absolute archive with a exordium by Philipp Demandt and contributions by Felicitas Becker, Kathleen Chapman, Philipp Demandt, Alexander Gall, Bernhard Gissibl, Miriam Oesterreich, and Ilka Voermann has been appear by Hirmer Verlag.

On October 25 at 7pm, the Schirn will be presenting a console discussion under the title The Shaping of an Image: How present is Kuhnert’s assuming of Africa today?. Experts will be discussing the topicality of the angel of Africa that Wilhelm Kuhnert helped to create. Participating in the altercation will be historian Felicitas Becker (Ghent University), Philipp Demandt (curator of the exhibition and administrator of the Schirn Kunsthalle Frankfurt), Dagmar Mundhenke (deputy editor of africa positive), Nadine Siegert (deputy administrator of the Iwalewahaus, Bayreuth) and anthropologist, announcer and filmmaker Vanessa Wijngaarden (University of Johannesburg). Moderation: Bianca Schwarz (hr2). In German language. 

Director: Dr. Philipp DemandtCurators: Dr. Philipp Demandt and Dr. Ilka VoermannPress contact: Pamela Rohde (Head of Press/Public Relations):presse [​at​] schirn.de / T ( 49 69) 29 98 82 148Press material: www.schirn.de/en/ (texts, images, and films for download beneath PRESS)

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