Looks like on Broadway, Magneto and Professor X sell. Or Gandalf and Jean-Luc Picard do.
The two-play airing led by Ian McKellen and Patrick Stewart, with productions of Samuel Beckett’s “Waiting for Godot” and Harold Pinter’s “No Man’s Land” arena in rep, kicked off its run with two previews aftermost anniversary and had a advantageous $202,787 to appearance for it. Auds abounding the Cort Theater to about 93% of capacity.
Theater-avid concern generally drives able sales at the ancient perfs of a high-profile Broadway production, but if “Godot/No Man’s Land” can body on aftermost week’s aboriginal showing, it could about-face into one of the fall’s able nonmusical sellers. McKellen and Stewart accompany to the table a ample fanboy afterward acquired from their assignment calm in the “X-Men” films (including aing year’s “X-Men: Days of Future Past”) and alone in “The Lord of the Rings” and “The Hobbit” (for McKellen) and “Star Trek: The Aing Generation” (for Stewart).
That fanbase will acceptable advice accord the appellation a solid addition in a abatement calendar that’s adequately awash with buzzy plays. Leader of that pack, Daniel Craig-Rachel Weisz starrer “Betrayal” ($1,103,682), remained in the stratosphere, dipping alone because aftermost anniversary accommodated columnist perfs and a starry aperture night.
The much-lauded awakening of “The Glass Menagerie” ($734,661), starring Cherry Jones and Zachary Quinto, additionally looked far from fragile. And the Mark Rylance-led repertory stagings of “Twelfth Night” and “Richard III” ($669,342) connected its solid sales in the deathwatch of a conspicuously able-bodied admission the above-mentioned frame.
“Godot/No Man’s Land” was one of three titles to alpha perfs aftermost week, forth with Ethan Hawke starrer “Macbeth” ($196,181 for three previews, a appropriate account for the nonprofit assembly from Lincoln Center Theater) and “A Gentleman’s Guide to Love and Murder” ($311,467 for seven). The closing hasn’t had time to breed abundant of a Main Stem contour yet, so it could use a dosage of some of the analytical acclamation that spurred the show’s Broadway transfer.
The aforementioned could be said for Duke Ellington caricature “After Midnight” ($431,132), arena its aboriginal abounding anniversary of previews and acceptable acquisitive for a addition from its accessible Nov. 3 opening.
Overall Broadway sales slipped about $900,000 to $23.2 actor for 30 shows on the boards. Attendance was bottomward a beat to 231,769.
Missing from the pot aftermost anniversary were contributions from “Mamma Mia!,” which went aphotic as it moves from the Winter Garden Theater (where “Rocky” bows in the spring) to the abate Broadhurst, acrimonious up perfs there Nov. 2.
The week’s Top 10 blueprint looked about like it has for the aftermost few weeks, with “The Lion King” ($1,798,361), “The Book of Mormon” ($1,733,532) and “Wicked” ($1,693,555) arch the way advanced of bounce 2013 additions “Kinky Boots” ($1,651,626), “Motown” ($1,425,902) and “Matilda” ($1,179,019).
Among contempo openers, “A Night with Janis Joplin” ($433,141) connected to appearance B.O. potential, accomplishing able-bodied abundant that the concert-tuner opened the Lyceum Theater’s balustrade for four of its eight performances in adjustment to aggrandize its basement capacity.
Only one added appellation charcoal to alpha perfs on Broadway this fall: Billy Crystal abandoned airing “700 Sundays,” which, based on the arch sales logged during the show’s antecedent Rialto run a decade ago, looks acceptable to accord a solid block of change to the cume back it begins previews Nov. 5.
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