Dámaso Ogaz, FUBW, 1968, oil and ink on canvas, Colección Mercantil Arte y Cultura, Caracas. Image address of Museum of Fine Arts, Houston
“Contesting Modernity: Informalism in Venezuela, 1955-1975” is a groundbreaking exhibition that blueprint the aisle of the Informalist movement from the mid-1950s through its aftermost manifestations in the 1970s. Though Informalism ushered in an era of alive affluence in Venezuela, and after functioned as a rite of access for consecutive generations, until now, no exhibition or advertisement has assiduously advised its history.
“Contesting Modernity” appearance about 90 works of art that advertise the variety, richness, and complication of an underrepresented movement that developed in Venezuela adverse Abstract Expressionism in North America and Tachisme and Art Informel in Europe. Drawing from the accumulating of Mercantil Arte y Cultura, the non-profit alignment accustomed by Mercantil Servicios Financieros, as able-bodied as from added accessible and clandestine collections beyond the United States and Venezuela, the exhibition encompasses a advanced ambit of media, including collage, painting, assemblage, and photographs.
The exhibition will abide on affectation through January 21, 2019.
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